Naquiyah Maimoon

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Tamil Film Dorothy Heads to Netflix in 5 Languages

Mumbai (Maharashtra) [India], October 24: A film does not always need a bigger opening weekend to find a larger audience. Sometimes, it needs a second opportunity—and fewer barriers between the story and the people who might connect with it. Karthik Subbaraj’s Tamil drama Dorothy arrived on Netflix on October 23, 2026, with audio options in […]

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The Film Industry’s New Geography Is About Jobs, Not Glamour

Mumbai (Maharashtra) [India], October 22: Hollywood has spent decades selling the illusion that every important film begins and ends in California. The industry’s actual business, however, has become considerably less sentimental. When a studio decides where to shoot, it weighs tax incentives, crew availability, soundstage capacity, travel costs and the price of keeping a production […]

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Netflix Is Winning India. Can It Keep 2026 Viewers Paying?

Mumbai (Maharashtra) [India], October 22: A streaming service can make a hit show, trend across social media, and attract thousands of new subscribers. The harder part comes later, when viewers finish the finale and wonder whether the next month’s subscription is worth keeping. Netflix appears to be navigating that challenge successfully in India. In the […]

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Indian Cinema’s Rs 11,000 Crore Milestone Comes With A Catch

Mumbai (Maharashtra) [India], October 21: The Indian box office has crossed ₹11,000 crore in 2026, and the number tells a promising story. The more interesting question is who gets to share the spoils. Audiences are spending on theatrical cinema again, but their choices are increasingly shaped by the film itself, the experience it promises, and […]

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Netflix Cuts 1,000 Jobs As Streaming’s Growth Story Shifts

Mumbai (Maharashtra) [India], October 21: Netflix built its reputation by making entertainment easier to access. Now, the company faces a less glamorous challenge: convincing people that its service deserves their money, attention, and a permanent place in their monthly budgets. Its decision to eliminate approximately 1,000 jobs, or around 6% of its workforce, signals a […]

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OTT’s New Battle: Winning India’s Time, Not Just 2026’s Screens

Mumbai (Maharashtra) [India], October 20: India’s entertainment industry has learnt an inconvenient truth: audiences do not run out of things to watch; they run out of patience deciding what deserves their time. This week, OTT streaming platforms are responding with a fresh slate of crime dramas, regional-language films, returning international series and mythology-led animation. The […]

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Jon Stewart extends his The Daily Show contract through 2028

Mumbai (Maharashtra) [India], October 20: In television, a contract extension is usually a reason to celebrate. When the person signing it makes a living mocking politicians, billionaires, and powerful institutions, however, the paperwork can become a story of its own. Jon Stewart will continue hosting The Daily Show every Monday through December 2028, while remaining […]

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Hollywood’s $110 Billion Merger Has One Big Test: The Audience

Mumbai (Maharashtra) [India], October 20: Hollywood has spent years persuading viewers to subscribe to more streaming platforms. Now, one of its biggest corporate combinations is attempting to make that fragmented entertainment landscape more manageable—while building a business large enough to compete with Netflix, Disney and the technology companies reshaping television. On October 6, 2026, Paramount […]

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Bollywood Is Rethinking Diwali: One Big Hit Or Several Smaller Wins?

Mumbai (Maharashtra) [India], October 20: For years, Diwali was the sort of date Bollywood treated like prime real estate. Get a major film into theatres, attach a recognisable star, add a festive marketing campaign, and hope audiences arrive with family, friends, and a generous appetite for popcorn. The only problem? Everyone else had the same […]

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Netflix’s Next Battle Is For Attention, Not Just Subscribers

Mumbai (Maharashtra) [India], June 11: Netflix is approaching its third-quarter earnings report with a problem that no amount of expensive cinematography can solve on its own: getting people to spend more of their limited free time on the platform. The streaming giant still has global reach, recognisable franchises and a growing catalogue of live events. […]

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